AS WE WAIT OUT THE HURRICANE

Leslie Parke, Plates in the Ocean

Leslie Parke, Plates in the Ocean

 As a child I spent my summers on Fire Island in my Grandfather's four story Victorian "cottage" on the ocean front.  He bought it at the turn of the last century in Edith Wharton's time.

Each night during dinner the sun set directly down the center of the window of the dining room.  When my Grandfather lived there, even though it was summer, dinner was a formal affair.

By the time my family took over the dining room table, the white linen suits were long gone, replaced by wet bathing suits and bare feet.  I sat next to my Dad and on the other side of the table a built-in cabinet was filled with formal pink and white china and Cranberry glassware.  We never touched it. 

Then one summer my mother packed it up and took it home.  That winter, in a storm much like this one, the "cottage", a monument to a by gone era, was washed into the ocean.

Leslie-Parke-photographing

Leslie Parke photographing the china in the ocean.

The china was never used by my mother, and then she gave it to my brother.  It was never used by him either. 

Last winter,  when I visited my brother in Florida, we decided finally  to use the china.  We took five boxes of dinner plates, luncheon plates,  soup bowls, consume bowls, serving plates, tea pots, cups and saucers to the beach.  We lay the plates in the sand at the edge of the water. 

Then the tide began to rise . . .

Into the Ocean, 31” x 56”, oil on canvas, © 2013 Leslie Parke

Plates in the Ocean, 46 inches x 46 inches, oil on canvas, © 2013 Leslie Parke

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THE AURORA BOREALIS IN A ZIP LOCK BAG : Essay about Leslie Parke's New Paintings by Christopher Millis